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      <image:title>alexmorch.com - iiiiiiiii (2016)</image:title>
      <image:caption>9 autonomous and introvert robots hanging in their power source, exploring their own noise. Feedback sounds occurs as the speaker in the tip reaches the microphone at the belly. Background noise rumbles from large bass speakers in a scenography of lit triangular shapes. Exhibited: 2017: ULYD, Odense</image:caption>
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      <image:title>alexmorch.com - Carmina Machina (2016)</image:title>
      <image:caption>Robotic performance. Performances: 2016: Mørke Dage Post Event @ TAPE in Aarhus 2016: Rendevouz' Symposium w/ opera singer Maria Bordinggard 2016: Music Hall, Aarhus w/ flutist Marie Sønderskov Performer: Maria Schmedes Enevoldsen. All motors on the robot are amplified with various types of microphones. Several controlled LED lights mounted on the robot are the only light sources in the surrounding darkness.</image:caption>
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      <image:title>alexmorch.com - Superrobot (2017)</image:title>
      <image:caption>Noisy robotic light installation. Exhibited: 2017: Galleri Rum/Klang, Jyderup 2017: Aarhus Supernoise Festival</image:caption>
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      <image:title>alexmorch.com - Mechanikus (2012)</image:title>
      <image:caption>Piece for small motorized machine, electronics, MAX/MSP and amplified cello. Released on phloq compilation twelve 2013 on 2x12" vinyl and digital (excerpt). Dur. 28 min. Cellist: Cecilie Schmidt Dam</image:caption>
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      <image:title>alexmorch.com - Skonrog (2015)</image:title>
      <image:caption>Amplified machinery, string trio and bass guitar. Premiered at RAMA Festival 2015 at Music Hall Aarhus. Dur. 8:50 min. Violin: Daniel Mortensen Celli: Benedikte Borum Poulsen &amp; Emma Axelsson Bass: Kristian Outinen</image:caption>
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      <image:title>alexmorch.com - Skøjselstøj - Noise of the Skysail (2015)</image:title>
      <image:caption>Mechatronic music installation exhibited at ULYS Kunsthal at Odense Dock. The piece is part of the Utopia exhibition in the hall. The audience can start the sequence by pushing a red button. The installation consists of quadrophonic sound from the three surrounding horn speakers and the leslie inspired space ship in the middle. All mechanic sounds are amplified. The sequence is controlled by micro-computers and self-built electronics. Supported by Odense Kommune.</image:caption>
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      <image:title>alexmorch.com - Black Box (2017)</image:title>
      <image:caption>Robotic light installation in a big black box. Size: 240x240x240 cm Exhibited: 2017: Kunsthal ULYS "Okkult"</image:caption>
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      <image:title>alexmorch.com - igni (2018)</image:title>
      <image:caption>Robotic sound and candlelight installation. Curated by FSK. Exhibited: 2018: EC1_24h, LOKALE, Copenhagen</image:caption>
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      <image:title>alexmorch.com - Servomusik 0.4 (2014)</image:title>
      <image:caption>Mechatronic music experiment. Amplified motors synchronized to tone generators.</image:caption>
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      <image:title>alexmorch.com - Bøjen Er Blind (2015)</image:title>
      <image:caption>[The Buoy is Blind] Darkness, string trio, bass guitar, singer, three mechanical "buoys" and quadrophonic trigonal in four axis rotation aka chaos leslie aka bob. Each buoy is waving up and down in individual tempos and acts as mechanical conductors for each of the strings, making polytemporal relationship between them. The electronic sounds from the chaos leslie are dictating the form of the piece and the musicians are relating to this. Premiered at RAMA Festival 2015 at Music Hall Aarhus. Dur. 8:30 min. Vocals: Sidsel Ben Semmane Violin: Daniel Mortensen Celli: Benedikte Borum Poulsen &amp; Emma Axelsson Bass: Kristian Outinen</image:caption>
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      <image:title>alexmorch.com - Et Mekanisk Requiem (2012)</image:title>
      <image:caption>Piece for mechanics, electronics, string quartet, choir and organ. Premiered in Hasseris Church 2012 and performed at Mejlgade For Mangfoldighed 2013 and Aarhus Symphonic Hall 2013 . Dur. 60 min. The premiere was funded by Aalborg Skole- og Kulturudvalg, Danmarks Nationalbanks Jubilæumsfond af 1968 and Hasseris Church. Video documentation supported by Aarhus Filmværksted. Thanks to conductor Jonas Nørbygaard Rasmussen, DIEM, Mogens Jensen and the musicians: Soprano soloists: Hanne Marie le Fevre &amp; Sidsel Aja Eriksen. Organ: Louise Harring Boll. Violins: Anna Jalving &amp; Agnes Hauge Mortensen. Cellos: Benedikte Borum Poulsen &amp; Stine Staub Olesen. Choir: Sine Thorling Sørensen, Eliza Boye Mouritsen, Ingeborg Thisted Højlund, Nadja Marie Schmedes Enevoldsen, Martha Fyrstenborg, Kim Jepsen, Jonas Hellesøe Nielsen, Nicolai Nørgaard Christensen &amp; Severin Martin Korsgaard Thorsen.</image:caption>
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      <image:title>alexmorch.com - VHS Quartet (2014)</image:title>
      <image:caption>Four individual cello voices recorded directly to VHS-tapes using condenser microphone, analogue surveillance cameras and analogue video switcher. Each shift disturbs the VCR, which gives nice pitch fluctuations when trying to sync to the frame rate. The synchronization between the four voices is roughly kept this way. Premiered at DIEM Elektro 2014 as part of "Corpus Visum" with my duo Kehlet/Mørch. Dur. 6:30 min. Cellist: Emma Anna-Charlotta Axelsson</image:caption>
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      <image:title>alexmorch.com - Lirekasse Tour (2017)</image:title>
      <image:caption>Interpretation of the barrel organ tradition. A traveling robotic installation in the streets and surrounding nature of Shenzhen and Hong Kong. Supported by Danish Composers' society and Danish Musicians' Union</image:caption>
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      <image:title>alexmorch.com - Piece for cello, strings and motorized wrenches (2016)</image:title>
      <image:caption>40 motorized wrenches of different size is hanging from the ceiling 4,5 meters above, playing the cello and do a little dance. Exhibited at the temporary Kunsthal POL in an old plastic factory (Polymeren) in Aarslev, Denmark.</image:caption>
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      <image:title>alexmorch.com - Gespenst (2016)</image:title>
      <image:caption>7 voices manipulated through portable speakers explore space and discover a cellist here and there. The piece was commissioned by ARoS Art Museum where it was performed twice. Some audience joined from start to finish, some jumped on and off - others stopped and wondered. Duration: 45 minutes Singers: Sidsel Aja Eriksen, Maria Bordinggaard Ghahremani, Bodil Frimodt Rønnow, Mariann Fredsgaard Ravnkilde Mikkelsen, Mikkel Mikkelsen, Søren Holm Bidstrup, Kim Jepsen. Cello: Emma Axelsson</image:caption>
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      <image:title>alexmorch.com - OWLGROWL (2018)</image:title>
      <image:caption>Piece for operasinger and digital voice processing with live camera feed. Multichannel speakers. Premiered at Space Series II in the large atrium of The Royal Danish Library. Duration 18 minutes Performed by Annemette Pødenphandt</image:caption>
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      <image:title>alexmorch.com - Plattform (2018)</image:title>
      <image:caption>Motorized, electroacoustic installation. Made from heavy iron rods, plastic brackets, wires, speakers, motors, plastic wheels, transducer, piezoelectric microphone, mp3 players, power supplies. Gallery BOA is located in Oslo's oldest timbered building and the floor is shaking every few minutes, when the city buses are passing. The installation is exaggerating this with its motorized wheels and low frequency transducer. The movement of the installation affects its own internal resonance, resulting in an ever changing soundscape. This is mixed with fragments of recordings from the city buses plus the live sounds from the street of the buses passing by.</image:caption>
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      <image:title>alexmorch.com - Kæmpe (2019)</image:title>
      <image:caption>Installation of robotic sculpture and four channel video. Being part of the exhibition “Partners” at Vejle Kunstmuseum, the piece was a collaboration with an underground boxing club called “BK Nørremarken”. The main screen is 3 meters tall and shows a training fist fight between two talented boxers. The robotic device is built to mimic their actions in a fragile, noisy dance.</image:caption>
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      <image:title>alexmorch.com - Infrasonisk Kabine (2019)</image:title>
      <image:caption>Being part of the exhibition FROKOSTPAUSE (LUNCH BREAK), audience is forced to sit in front of the speakers for two and a half minute. The exhibition consists of 8 art pieces by 8 artists and took 20 minutes to experience and is featured at Kunsten.nu (article in Danish).</image:caption>
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      <image:title>alexmorch.com - Ingen Skal Sove OST (2019)</image:title>
      <image:caption>Soundtrack for the feature movie. It was partly a collaboration with singer/songwriter Cisser Mæhl, who scored half of the movie. Premiered at CPH PIX Film Festival 2019.</image:caption>
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      <image:title>alexmorch.com - Apparatus in Tenebris (2015)</image:title>
      <image:caption>Piece for walking choir, hexaphonic robotic light sculpture and portable speaker. Performances: 2016: Art Weekend Aarhus, Piscine 2015: TURBO, Vejle (with Sidsel Ben Semmane) 2015: Mørke Dage, Aalborg 2015: PSYCH Fest, Aarhus (only installation) The first video on the right is excerpts from the installation concert with choir, strings and synth. It was performed in the dark, reverberant basement of Mørke Dage 2015 - a festival which explores the darkness. The concert started at the main area of the festival and the audience was then guided to the installation in the basement. On this walk the choir kept singing to the drone of the mobile bass synth. This video is a summary of the entire concert, which had a duration of 30 minutes. The music magazine Seismograf called it a cyborg performance with a renaissance-sci-fi soundtrack. Performed with support from Danish Composers´ Society´s Production Pool/KODA´s Cultural Funds. In the second video the thing is exhibited as an interactive installation. It will perform a calm dance and ever changing harmonic drone while activated by a human being. The surrounding space was occupied by darkness and two complimentary fiber optic chandeliers. The video is shot at Aarhus Psych Fest in the huge space of Den Rå Hal at Godsbanen.</image:caption>
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      <image:title>alexmorch.com - Element 13 (2018)</image:title>
      <image:caption>Sound installation with resonating aluminium amplified through local loudspeakers. Exhibited/performed: 2018: National Gallery of Denmark (Statens Museum for Kunst) SMK Fridays, Copenhagen. 2018: Art Week Copenhagen, ALT_CPH 2018: PERFORMANCErum, RUM46, Aarhus 2018: ULYD II, Odense</image:caption>
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      <image:title>alexmorch.com - Passage (2018)</image:title>
      <image:caption>Passage (2018) Site specific, performative sound walk through a psychiatric hospital. Performers/musicians: Michael Richardt (picture), Marie Sønderskov, Anja Nedremo, Emma Axelsson, Golshid Rokhzan, Stine Kloster, John DeMix, Nikolaj Rosengreen, Lars Høygaard, Aske Lund Krammer og Mariann Mikkelsen. Performed: 2018: Museum Ovartaci located at psychiatric hospital, Risskov, Aarhus Supported by Danish Composers’ Society</image:caption>
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      <image:title>alexmorch.com - i[x] (2019)</image:title>
      <image:caption>Robotic camera construction examines a small dichroic glass cube while two human performers examine their own body. Exhibited at WRO Media Art Biennial 2019 (Human Aspect) at the Four Domes Pavilon, National Museum in Wroclaw. Photos by Natalia Kabanow</image:caption>
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      <image:title>alexmorch.com - DeSTORted IDEals (2018)</image:title>
      <image:caption>Collaboration with the fabulous NJYD quartet. The project builds a frame for improvisations with scored instructions for integrated performances. The video is a teaser version of the one hour long concert.</image:caption>
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      <image:title>alexmorch.com - Ode Til Solen (2019)</image:title>
      <image:caption>Ode Til Solen (Ode To The Sun) is based on ancient, nordic sun rituals. It is made in connection with Geopark Odsherred where the Trundholm Sun Chariot was sacrified thousands of years ago and later discovered. The piece is made by Annemette Pødenphandt and Alex Mørch. Supported by: Augustinus Fonden KODA Kultur Odsherred Kommune Geopark Festival.</image:caption>
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      <image:title>alexmorch.com - Dunkelstrom (Est. 2012)</image:title>
      <image:caption>Transformative noise setup based on internal feedback in electronic audio hardware (no-input mixing). Sometimes with audiovisual elements in form of obsolete TV transmission equipment and motorized light sources modulating LDR controlled hardware. Other elements include: bowed objects and instruments, homebrewn noise circuits, guitar pedals, angle grinder, tape recorders, musicians etc. When playing with acoustic musicians, their sound is directly modulating the feedback circuit. Performances are often rather free improvisations, and the setup functions as my main instrument in my noise trio Circuit Odyssey. Performances: 2017: Aarhus Artspace, opening 2017: Lydkunst at Elias Church, Copenhagen 2017: Aarhus SuperNoise Festival 2017: Across The Floor, private reception 2016: DIEM Soloist concert, Aarhus 2015: Click Festival, Helsingør 2015: Deus Ex Machinae (for 40 loudspeakers), Copenhagen 2015: Aarhus International Noise Fest 2014: Noise Amok Fest, Aarhus 2013: Release party, Ploq double vinyl, Godsbanen 2013: Norberg Festival (Mimer), Sweden 2012: Skálar Sound Art Festival, Seyðisfjörður, Iceland 2012: Aarhus Lydfestival</image:caption>
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      <image:title>alexmorch.com - Synthesized Planet (2020)</image:title>
      <image:caption>The existence of a phenomenon ceases in the same now it occurs To hear is always to already have heard Existence as an infinite stream of irreversible inheritance Space and time vibrate unstoppably in systems of systems in systems One era replaced by the next space, time, echo and dimensionality in eternal repetition time, in time, in time The noise remains unlimited, continuous, infinite, immutable The universe resonating metallically activity humming calm harmonics As soon as a phenomenon appears, it leaves the noise a form weaves breaks through reveals everything is clear, ordered, chaotic Minerals breathe, vegetables eat, animals feel, humans crystallize Collaborative work with Nicole Cecilie Bitsch Pedersen. Supported by The City of Aarhus (Kulturudviklingspuljen) Exhibited at KH7artspace 2020</image:caption>
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      <image:title>alexmorch.com - beta_HEX (2017-2018) (excerpts from various iterations)</image:title>
      <image:caption>Robotic opera experiment evolving from performance to performance. Performed: 2018: UNM Festival, Bergen, Norway 2018: EXPO: Robotics, Odense 2018: Subkult, Herlev 2018: Decipher Performance Festival, Aarhus 2017: Finale, European Capital of Culture, Aarhus City Hall 2017: Rethink Activism Festival, Aarhus 2017: Solistkoncert, Music Hall Aarhus 2017: John Grant’s North Atlantic Flux, Hull, England 2017: Ministry of Culture, management seminar, Music Hall, Aarhus 2017: RAMA Festival, Symphonic Hall, Aarhus 2018 performances by soprano Annemette Pødenphandt 2017 performances by soprano Sidsel Aja Eriksen</image:caption>
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      <image:title>alexmorch.com - Underføringen (2020)</image:title>
      <image:caption>Public, permanent beautification in a tunnel in Elsted in Aarhus Kommune. Hand hammered sheets of mirror polished steel and oxidized copper, reflecting colored light as you walk by. QR-codes on steel plates enables access to music videos where all sounds are sourced from the sheets and a vocalist with a large hammer. Vocalist: Mariann Mikkelsen</image:caption>
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